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The Fix Albums
the fix albums














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And Michigan before moving to Toronto. Their family moving often, theyve spent time in Cleveland, San Francisco, Washington D.C. “And I always had a feeling that it would be more than six songs.”The Dirty Fix is a Canadian-American band, with siblings Aim&233 e Mazzuca (vocals, keys), and Max Mazzuca (drums). Guest artists on the album include Jay-Z, Beanie Sigel, Nas, Faith Evans, and WC.“I felt like there was more of the story that I wanted to tell,” the former The Voice contestant says of the decision to expand the EP. The album debuted at 4 on the Billboard 200 chart, with well over 160,000 copies sold in its 1st week. The album was released on August 6, 2002.

Member tells SorenBaker why songs such as Safe, Guess Whos Back.“I’ve always been the type of girl that has a huge playlist,” RaeLynn says, describing her sound as “old school mixed with a little bit of vibe.” But while conversations about authenticity and appropriation have swirled around songs such as Walker Hayes’ “Fancy Like,” RaeLynn assures listeners that her new style comes from the heart.“I grew up around so many types of cultures and different people, and they all represent who I am, and so I wanted that to be displayed in my music,” she says. Selects Scarfaces The Fix LP for his BestAlbums episode. Like the EP before it, Baytown leans heavily into hip-hop, with a rap feature from Mitchell Tenpenny on "Get That All the Time" and lyrics that shout out “Gucci Gang,” kick drums and Cardi B.O.C. Just as hip-hop-indebted sounds have permeated country radio, the genre has also become a dominant force in RaeLynn’s music.

the fix albums

“I’m like, 'I’ll do whatever the hell I wanna do.' You know what I mean? Because I’m gonna do what feels right in my heart. Corey Crowder — also a Round Here signee, and who who has co-written and produced hits for the duo — produced RaeLynn's new album, and Hubbard co-wrote several of the songs.RaeLynn insists that she doesn’t feel any added pressure as the only woman signed to the label, but she does admits to occasionally chafing at the idea — spurred in part by the explanation for the glaring gender disparity on country radio that offers that women just aren’t putting out hits — that she needs to be writing a certain type of song.“I hate it when people are like, ‘Oh, you released two 'down' songs, so you need to release an uptempo song,” she says. Listening to songs such as “Get That All the Time” with Tenpenny and “Why I Got a Truck” with Blake Shelton, the influence of Round Here Records owners Florida Georgia Line is apparent.

the fix albums